A rare snippet of my decorating process.
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@fubaroque Maybe this is a good opportunity to search for potters who are close to you. I’m sure they’d appreciate the support.
@potterybyosa That will probably be my solution, indeed… eventually.

Actually I once had an aunt… but she passed away a long time ago. I still have a lot of her stuff.
Anyway, just wanted to say that I really like the way you choose your shapes and colours. 🤩
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@potterybyosa That will probably be my solution, indeed… eventually.

Actually I once had an aunt… but she passed away a long time ago. I still have a lot of her stuff.
Anyway, just wanted to say that I really like the way you choose your shapes and colours. 🤩
@fubaroque Thank you!
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A rare snippet of my decorating process. Here I’m filling in the monstera pattern on this planter with terra sigillata (a watery, refined clay slip) made with clay from Ontario. This is much different than painting—it’s basically glaze application. The difference is, I’m applying three layers of terra sig to achieve my desired result. If I apply the sig too thinly, it will come out brown. Three coats (and proper firing) gives me a rich olive green with a bit of variegation. #pottery #ceramics
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@fubaroque Thank you!
Do you happen to have a picture of this one finished. I can imagine the colours from what you say about it, but it would also be nice to see them.
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Do you happen to have a picture of this one finished. I can imagine the colours from what you say about it, but it would also be nice to see them.
@fubaroque Of course! I’ll show the piece once it’s finished.
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@fubaroque Of course! I’ll show the piece once it’s finished.
@potterybyosa
Glazing is amazing. I remember how she let me do it on my own master piece. (I was a bit younger then.)But applying the dull “paint” while having to imagine what the result will be… then waiting for the firing and finally seeing what you did. Just magic.
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@potterybyosa
Glazing is amazing. I remember how she let me do it on my own master piece. (I was a bit younger then.)But applying the dull “paint” while having to imagine what the result will be… then waiting for the firing and finally seeing what you did. Just magic.
@potterybyosa I am sure that I was planning on more blue in this, at the time. And had to get over some disappointment when I saw what I had in fact done.
But then there has to be at least one defect in every work of art I have heard.

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A rare snippet of my decorating process. Here I’m filling in the monstera pattern on this planter with terra sigillata (a watery, refined clay slip) made with clay from Ontario. This is much different than painting—it’s basically glaze application. The difference is, I’m applying three layers of terra sig to achieve my desired result. If I apply the sig too thinly, it will come out brown. Three coats (and proper firing) gives me a rich olive green with a bit of variegation. #pottery #ceramics
@potterybyosa
Your creations are stunning.
You have a gift.
Thank you for sharing it with the world. 🧡 -
A rare snippet of my decorating process. Here I’m filling in the monstera pattern on this planter with terra sigillata (a watery, refined clay slip) made with clay from Ontario. This is much different than painting—it’s basically glaze application. The difference is, I’m applying three layers of terra sig to achieve my desired result. If I apply the sig too thinly, it will come out brown. Three coats (and proper firing) gives me a rich olive green with a bit of variegation. #pottery #ceramics
@potterybyosa It looks lovely.
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A rare snippet of my decorating process. Here I’m filling in the monstera pattern on this planter with terra sigillata (a watery, refined clay slip) made with clay from Ontario. This is much different than painting—it’s basically glaze application. The difference is, I’m applying three layers of terra sig to achieve my desired result. If I apply the sig too thinly, it will come out brown. Three coats (and proper firing) gives me a rich olive green with a bit of variegation. #pottery #ceramics
@potterybyosa your pieces are so gorgeous.
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